The most deeply sampled sitar, tambura, tabla and baya library ever released! Includes multiple mic positions, all important playing techniques, FX patches, and MIDI grooves.
Performed by Thomas Flanagan, the sitar we recorded is a custom-made instrument crafted from wood that seasoned for seven years! Articulations include plucking (thumbed and picked), mordents (quick “turns”), strums of the chikari (rhythm) strings, whole tone bends, glissandos at different speeds and both major and minor tonalities, basic phrases and tremolos. Thorough velocity and round robin sampling was used for many articulations, with up to four layers and three round robin groups.
Traditionally an instrument played by an apprentice sitar player to accompany an expert. Though the body is smaller than the sitar, the simple, open drones it produces have a unique timbre that provide an excellent rhythmic base. This instrument was also performed by Thomas Flanagan.
A set of two custom-made, carefully tuned hand drums performed by Jeremy Dyen. The sheer number of strokes possible for the tabla or baya alone is staggering, but we chose to thoroughly record some of the most widely used and recognizable techniques such as both edge, open and muted strikes as well as multiple pitch bends in different directions and at different speeds. Every stroke was recorded with nine velocity layers and three round robins to allow for seamless, human performances.
From the unprocessed audio content, we created a number of patches using both offline and Kontakt processing to open up a whole new dimension in sound. For example, “Livewire Drone” takes sitar drones and uses FM synthesis and waveshaping to “electrify” the timbre of the sitar. “Deep Chime” uses extensive granular synthesis to create an ominous, semi-harmonic orchestral chime hit with a reverberant ambiance. The two “Shaped Kit” patches use ring modulation and waveshaping to turn the tabla and baya into an electronic percussion set.